Cast: Saif Ali Khan, Riteish Deshmukh, Ram Kapoor, Tamannah Bhatia, Bipasha Basu, Esha Gupta
Direction: Sajid Khan
Genre: Comedy
Duration: 2 hours 39 minutes
Story: Ashok and Kumar area unit fraudulently declared mad by evil Kans mama – what happens once 2 a lot of Ashoks, Kumars and mamas show up?

Review: a stunning line in Humshakals – “Why’re you creating it therefore aaabvious?” – exemplifies the film. Humshakals options AN odd balance between sensible jokes, followed by a pajama party of PJs. Ashok (Khan) could be a London rich person WHOse day job is “business umpire sambhalna” however who will cringe-worthy comedy that even his friend Kumar (Deshmukh) cannot bear.

Fortunately, star Shanaya (Bhatia) finds Ashok funny that has him smiling till his wicked mama Kunwar Amar Nath Singh – aka Kans – slips him a ‘Mad – psychotropic drug’, creating Ashok and Kumar go doggy-style, landing up in ‘Lord Cray G. Mental Asylum’. As Dr. Shivani (Gupta) and manager Mishti (Basu) aid them, Kans mama thinks he is won the company parlor game – however Ashok and Kumar discover useful humshakals. What happens once mamaji’s humshakal additionally arrives?

With its convoluted plot, Humshakals wants terrific acting – and therefore the actors deliver. As 3 variants of Ashok – original, insane, effeminate, and a lady role too – Saif runs away with Humshakals. Khan surprises along with his aptitude for twinkling-eyed, giggle-voiced, mincing-step comedy, delivering lines like “Shet up, scoundrel!” with liquid ease. As three-Kumar, Deshmukh’s fun, doing a unforgettable Dilip Kumar over, well, hard liquor ke paranthe. enjoying Kans mama, Ram Kapoor performs with cloth wickedness, even shaking a waxy leg as a ‘kali-flower’ on a beach. The boys have a ball however the women area unit as wasted as powdered sugar on a superimposed cake.

Meanwhile, with its multi-story story, Humshakals should be tightly told. Here, the film wobbles, its half distractedly wandering with mindless sequences involving comas, electrical shocks and Satish Shah as a Hitler-worshipping warder, tormenting patients by showing them Himmatwala. The half gets tauter ANd funnier with an uncommon House of Commons involving the 3 duos, Charles and Chunky Pandey as a drug baron. This tootie-fruity climax is clearly Sajid Khan’s revenge for empire – the cut-price Charles barks, “Kyah baath kar rahe ho?” and bombs tick. The comedy could’ve tickled had the plot not faltered once more, throwing in an exceedingly boring diversion involving dwarves.


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